![]() ![]() Instead of drifting, though, he rediscovered his love of performing. Thankfully this changed when Rockwell moved to a school that suited someone who, in his own words, just wanted to “get stoned, flirt with girls, go to parties”. He often appeared on stage with Hess, but when he dropped out of a performing arts school, it looked like a future in acting wasn’t for him. The child of divorced parents, he lived with his father, Pete, in San Francisco, and spent summers with his mother, Penny Hess, in New York. However, he almost never became an actor. If Rockwell does win the Best Supporting Actor Oscar, it will be well deserved. ![]() As the stakes rise, Dixon plausibly evolves from thug to hero-in-the-making, thanks to McDonagh’s skilful writing and Rockwell’s intelligent, compassionate acting. As Jason Dixon, Rockwell plays a racist who finds himself up against a vengeful mother prepared to do almost anything as she vents her fury against a police force she blames for failing to find her daughter’s killer. The buzz around his complex performance as a violent cop, in writer-director Martin McDonagh’s anticipated Oscars shoo-in, Three Billboards Outside Ebbing, Missouri, suggests this could now be about to change. A scene stealer in supporting roles, and a compelling lead in films including Moon, Choke and Confessions of a Dangerous Mind, the California-born Rockwell has thrilled critics and audiences, but been overlooked by the Academy. Since making his movie debut in 1989’s Clownhouse, Sam Rockwell has been building an impressive body of work on screen and in the theatre. ![]()
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